Jason E. Grossman
JASON E. GROSSMAN is a Tony and Olivier award-winning theatrical producer. Current productions include the Tony nominated and Olivier Award-winning musical Come From Away (Broadway, Toronto, North America National Tour, West End, and Australia).
His theatrical production company, Plush Theatricals, is currently the lead-producer of the musical Romantics Anonymous which premiered at Shakespeare’s Globe in the fall of 2017, and is currently touring the UK and US (Los Angeles, Washington DC, Charleston SC).
Recent productions with Radio Mouse include Shear Madness and Vanya and Sonia and Masha and Spike (winner of the 2013 Tony, Drama Desk, NY Drama Critics, Drama League, and Outer Critics Circle Awards for Best Play), as well as Nevermore — The Imaginary Life and Mysterious Death of Edgar Allan Poe (nominated for three 2015 Lortel Awards including Outstanding Musical). Jason’s other producing credits include the Broadway and National Tour engagements of Peter and the Starcatcher (winner of 5 Tony Awards) and The Pee-wee Herman Show, and the Olivier Award-nominated West End production of Lend Me A Tenor The Musical, a musical comedy based on the international hit play by Ken Ludwig.
Jason has worked for Scott Sanders Productions (The Pee-wee Herman Show on Broadway, The Color Purple, and Disney film The Odd Life of Timothy Green). Prior to that, he was with Eric Krebs Productions as the Coordinating Producer of Laughing Liberally (Off-Broadway, Los Angeles, Boston and Las Vegas), Will Durst: The All-American Sport of Bipartisan Bashing (New World Stages, NYC), and Serenade the World: Music and Words by Oscar Brown Jr. (New York Musical Theater Festival).
Independently, he directed and produced the 2004 IRNE-nominated show Riding the Wave.com at the Greenwich Street Theater as part of the New York International Fringe Festival. His regional directing credits include Peace by Barry Oshry (Hovey Players), Heartbeat by Lisa Seymore-Terry (Boston Playwrights’ Theatre), Moon Over Buffalo by Ken Ludwig (Emerson), Cowboy Mouth by Sam Shepard (Emerson). Jason has assistant directed and conducted educational research at New Repertory Theatre in Boston for the productions Jerusalem, A Skull in Connemara, Waiting for Godot, A Girls’ War, Yellowman, and Scapin. In 2003, he collaborated with Robbie McCauley and playwright Daniel Alexander Jones in the world premiere of Bel Canto, which was workshopped at the Sundance Theatre Institute. Jason is a graduate of Emerson College and serves on the alumni board.
Need more? Visit: Plush Theatricals